Bettina Koziol – vokal, glasba – Robert Jukič. 

Glasbeni album Radio

Kompozicije Roberta Jukiča so vse to, včasih še več, včasih še manj. Nediskriminatorno in s spoštovanjem do osnovnih načel "zlorabljenih" stilov, zvrsti in zvočnih okolij nam avtor pričara slike, ki jih od nekod že poznamo, sproži deja-vu občutke, a nam istočasno da vedeti, da je to vseeno nek drug, nov obraz. Kot tujec, ki ga že poznamo...

Koncert kantavtorja Adama Kustana (Madžarska) v Hiši sanjajočih knjig v okviru Kavč festivala. 

Adamova glasba ima korenine v bluesu in rock glasbi iz šestdesetih, stile pa prepleta s sodobnimi alternativnimi elementi in tako ustvarja edinstven glasbeni izraz. Ponavadi nastopa s skupino, na solo nastopih pa ustvarja živahno vzdušje zakajenih barov in ulic.

Taken from Laibach's original symphonic poem in nine movements, Alamut, as filmed and performed live in Križanke Outdoor Theatre in the Monastery of the Holy Cross, Ljubljana, 6th September 2022. Featuring Laibach, RTV Slovenia Symphony Orchestra, Human Voice Ensemble, Gallina Vocal Group, AccordiOna Disharmonic Cohort. Conducted by Navid Gohari.

From Laibach new album, Alamut, out on double vinyl, double CD box set (both with extensive sleeve notes) and digitally: https://mute.ffm.to/laibach-alamut

Video edited by Solsticij
Visuals and compositing by komposter
Presented by a/political, 2022

Alamut is an original symphonic and multimedia spectacle by Laibach based on a famous story from eleventh-century Persia, as told by the Slovene writer Vladimir Bartol (1903 – 1967), born in Trieste, in his 1938 novel of the same title. The central character is Hassan-i Sabbāh, the charismatic religious and political leader of the Nizari Ismailis and the founder of a mysterious military formation known as the Assassins, whose name is still feared and respected today. Hassan-i Sabbāh is a self-proclaimed prophet who leads a holy war against the Seljuk Empire from his eyrie – the castle of Alamut. Alamut examined the mechanisms of propaganda at the time when Bartol, a member of Slovenian minority in Trieste, where he lived, was witnessing the rise of fascism in Italy. The motto "Nothing is true, everything is permitted" as the supreme principle of the Ismailis and the central idea of the novel, which, in the spirit of European Machiavellianism and the rise of fascism (the novel was published in 1938 and sarcastically dedicated to Benito Mussolini), is based on the denial of all doctrines and traditions, and expresses the most radical philosophical scepticism, nihilism, and cynicism. The motto is explicitly repeated several times in the novel, and is also used by Bartol as the maxim of the book. In the light of the chaotic values, the flood of contradictory information that rules the world and the destructive wars of aggression that are strangling our time, this motto has perhaps never been more relevant than today.

In Laibach’s Alamut, the ideas of radical nihilism interweave with the classical Persian poetry of Omar Khayyam, the sensual verses of Mahsati Ganjavi blend with minimalist orchestral colours derived from Iranian tradition. Hassan-i Sabbāh’s propaganda mechanism are echoed in the industrial principle of the workings of the orchestra and Laibach’s unique sound.

Laibach created the project with the help of the English non-profit organisation a/political and in collaboration with Iranian composers and musicians. Individual parts of the composition were contributed by Luka Jamnik in collaboration with Idin Samimi Mofakham and Nima Atrkar Rowshan. The historic symphony had its world premiere on 5 and 6 September 2022 in the Križanke Auditorium at the Ljubljana Festival.

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Why Black Man Dey Suffer, recorded in 1971, was originally deemed too controversial for release by EMI, his label at the time. Having recently been schooled in the American black power movement and having taken on a new Pan-African worldview, this album served as one of Fela’s first musical soapboxes on which he challenged the colonial injustices and corruption of the ruling elites of his time. The title track “Why Black Man Dey Suffer” is a history lesson on the oppression of the African man. It details the litany of abuses the black man has suffered — from being taken as slaves, to having an alien people impose a new culture upon them, take their land, fight them, and set them against one another. The following track, “Ikoyi Mentality”, firmly expresses Fela’s identification with the downtrodden masses and his rejection of the ways of the ruling class inhabitants of the Ikoyi neighborhood in Lagos.

Stream/Purchase "Why Black Man Dey Suffer" here: https://felakuti.lnk.to/WBMDS

http://www.felakuti.com

Pieta - ob 81. letnici konca II. svetovne vojne posneto pred Pieta di Palestrina Michelangela Buonarottija Galleria dell’Accademia di Firenze, 23.XII.2025

Pietà  

1.

Hladna jesen že prihaja

je slana prekrila zemljó, 

venejo lipe zelene 

tam gori za našo vasjo.

2.

V lagerju smrt nam kraljuje,

je tifus boleznim vladar,

luna na kup trupel sije,

človeka nikomur ni mar.

3.

Detec nebroj je rojeno

v tem péklu nesrečnih teles,

vse je bilo utopljeno,

še preden uzrlo je svet.

4.

Le redkim je bilo dano,

da s praznih so dojk pili nič,

vse je bolezen pobrala,

njih matere – le živ mrlič.

5.

K srcu prižemale dete,

zaman je bila pietà,

žrle podgane so ude,

ko so jih zmetali na tla.

6.

Luna brezsrčna kar sije,

ledeno prebada z neba,

materam srca pribije

na strašno verigo gorja.

Snemano v živo, 26.12.2015 (na Dan samostojnosti in enotnosti) v Dragoniji, ob žici na slovensko-hrvaški meji.

- - - -

Bakalina (SLO):
Jani kutin - vokal, besedilo
Renata Lapanja - harmonika

Accordion Group 4-8-8-16 (ITA):
Aleksander Ipavec - melodika, aranžma za Accordion Group
Leonardo Snidaro - harmonika
Martina Rossi - harmonika
Alessandro Gosgnach - bas harmonika

Snemanje:
Dejan Lapanja

Video edit:
Andrej Maver

improvizacija na hurdy gurdy / improvisation on hurdy gurdy: Samo Kutin

risba / drawing: Enja Grabrijan

posnel / recorded by: Andrej Kocan (October 2025, Lesno Brdo, Slovenia)

V spomin Alešu Hadalinu, pomembnemu glasbenemu soustvarjalcu glasbene zbirke Sanje ter Festivala Sanje. 

Album na Bandcamp: https://damiravdic.bandcamp.com/track/uvaj-se-2

BESEDILO ČUVAJ SE

https://www.sanje.si/si/balada-o-koscku-kruha.html

https://www.sanje.si/si/balada-o-koscku-kruha.html

Balada o koščku kruha: https://www.sanje.si/si/balada-o-koscku-kruha.html

https://www.sanje.si/si/balada-o-koscku-kruha.html

Jani Kovačič
Prilíka o Janu Husu
(Podobenství o Janu Husovi / Gleichnis von Jan Hus / Parable of Jan Hus)
Jan Hus (1369 – 1415) češki reformator, ki je končal na grmadi v Konstanci (1415)

This e-violin original song is composed, arranged, recorded and produced by me.